The middle of the twentieth century was the age of ‘modernisation’ in the developing world. Five-year plans, input-output tables, and detailed statistical inquiries became vital documents for governments eager to induce fast economic growth in nations that had just cast off the shackles of colonial rule. The economic and social legacy of the ‘modernisation moment’ is a debate for another place; here, I simply want to document the aesthetics of the Plans and inquiries that undergirded it: literally, the art of government.














